Every once in a while, I’ll get into a conversation about being a science fiction writer and during these conversations, it is inevitable that someone will ask, “What books have you written?” I think it is natural for someone to assume that a writer produces books, so I gently explain that I don’t write book. I am a short fiction writer. I write stories. I may list some of the stories I’ve sold and usually one of the titles will result in the question, “Oh, that sounds interesting. What is that story about?”
And I always find myself fumbling to describing what the story is about.
I was thinking about this on my short commute home yesterday and I decided there are two reasons for this:
First, unlike a novel, which can be made to sound interesting in a paragraph or two, it is much more difficult to compress the description of a short story. A short story is already compressed; all of the fat has been cut out of it. Each and every word more the story along to its ultimate conclusion. The story itself is its own description, and trying to spend a few sentences describing it in specific terms is difficult (for me at least) because the story is designed to be self-describing. Read it and you know what it is about. For my technology friends, I liken this to file compression. Compress a large text file and you often get a much smaller, more compact file. This is the “description” of a novel. But compress an already compressed file, and you don’t get a much smaller file. Indeed, on occasion, you will get a larger file. The file is already as compressed as can be and the description doesn’t help.
Second–and for me this is a more recent phenomenon–once I’ve written the story, I’ve moved on. Indeed, by the time a story I’ve written sees print, it’s likely that I’ve written two or three other stories. Everything I had to say about the story, I said in the story. About the only interesting detail to add may be the genesis of the story, which is not really about the story itself at all. I find it difficult to talk about a story that I’ve written months or years ago because my mind is always on the story that I’m working on now. It reminds me of Harlan Ellison’s response to the question, “Of all your stories, which is your favorite?”–to which he would respond: “The one I’m working on now.”
The best I can do, therefore, is to try to come up with snappy one-liners that are much more about generating interest than describing the story. So, for instance, when people ask me what my Analog story “Take One for the Road” was about, I’d tell them, “It’s a murder mystery set on Mercury.” It doesn’t really describe the story. The story is both more and less than that. To describe the story you need to read the story. But it’s the best that I can do. One positive result of this is that I’ve never even considered trying to describe a story in a cover letter, as I understand some novices do. The best way to find out what one of my stories is about is to read it.
So I’m curious, do my writer-friends have this problem with their stories? Do you have difficulty describing them? Do you even care to describe them, or do you–as I do–prefer the stories to speak for themselves?
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So I’m curious, do my writer-friends have this problem with their stories? Do you have difficulty describing them? Do you even care to describe them, or do you–as I do–prefer the stories to speak for themselves?
Yes, I face this problem almost all the time! Man, it's so good to finally say it out loud. I'm a short story writer. Some of my work has been published on an obscure website while most of it are ghostwriting projects that I cannot publish, but almost every time someone asks me what I do and what exactly are my stories about, I pull up a blank. As you said, a short story is already compressed. So how do I describe it? I just go with "it's about a girl who has a crush on a boy" or "it's about a group of colleagues going on a road trip" and if I've written a story in a different setting, then I proudly say something like "it's about a young girl who finds out she's a potential witch and has to go through a series of tests to determine whether she's capable enough to be responsible for her gift. Aiding her in her journey is a mysterious young man who claims to be way older than he looks and knows more than he lets on."
Writing fantasy is always better because it gives me more juice to put in the description. But when I'm writing some simple, something off-beat, it becomes difficult to explain, you know what I mean?
So are you writing a novel, then?